Investors
All monies received will be safeguarded by our accountants in the Bahamas and will be fully transparent.
What is the risk, you ask? Basically, the risk is minimal even in the world of movies. While blockbusters like Wicked (budget $150 m; revenue $700 m+) show spectacular returns, more modest films such as the Academy Award‑winning Anora (budget $6 m; revenue $56.9 m) also deliver solid profits. Our project Dud Diamonds is on a par with Anora. Our strategy is simple: keep the investment low and ensure investors take full advantage of the following schemes.
Between generous US state credits, Section 168(k), and the UK’s world‑class EIS/SEIS framework, our financing model is designed to minimise downside risk and maximise after‑tax returns.
Combined with tax‑free dividends from our Bahamas holding company, these incentives create a powerful, transparent, and flexible structure for global investors.
As well as our movies on the slate we offer investors the opportunity to maximise investments in the entertainment and movie sector by offering shares in the holding company that has controlling interest in the activities and assets of established film production companies. We have a healthy Balance Sheet with tangible assets together with existing dynamic management to expand revenues that will provide exciting opportunities.
Currently there are a number of movie projects on the slate that are in various stages of development, featuring unique storylines and top movie stars. Upon fruition, represent sizeable dividends to investors. All worldwide revenues will automatically be repatriated to our holding company in the Bahamas for tax-free distribution to investors.
Funding for these movies is enhanced by a number of tax credits and other incentives on offer throughout the world. For example in the USA, IRS Section 168k under Tax Cuts & Jobs Act passed by the United States Congress in December 2018 allows a 100% motion picture tax write-off to American investors and companies in the first year of distribution.
Combined with movie incentives available in the US and elsewhere, there exists an exciting business model to be explored by movie production companies and private investors to maximise funding support and minimise legal tax regulation.